PROCESSIONAL: "O come, O come, Emmanuel" (Veni, veni, Emmanuel, plainsong, Mode I, Processionale, 15^th century)

PSALM: 122 (plainsong, Tone V Ending 1)

HYMN: "Comfort, comfort ye my people" (melody by Claude Goudimel [1514 - 1573])

NUNC DIMITTIS: (setting by Thomas Tallis)

ANTHEM: "Audivi vocem de coelo" (plainsong, Mode I, and verses by Thomas Tallis [ca. 1505 - 1585])

ORISON: Matins Responsory (Jason Anderson [b. 1976])

PSALM: 126 (Peter Hallock)

HYMN: "Redeemer of the nations, come" (Veni Redemptor gentium, plainsong, Mode I, Einsiedeln MS., 12^th century)

NUNC DIMITTIS: (setting by Lodovico Grossi da Viadana [ca. 1560 - 1627], Tone VII)

ANTHEM: "Canite tuba" (Jakob (Handl) Gallus [1550 - 1591])

PROCESSIONAL: "O come, O come, Emmanuel" (Veni, veni, Emmanuel, plainsong, Mode I, Processionale, 15^th century)

PSALM: 138 (plainsong, Tone V Ending 2)

HYMN: "Hark! the glad sound! the Savior comes" (Tune: Bristol, melody from Ravenscroft’s Psalter, 1621)

NUNC DIMITTIS: (setting by Dana Marsh)

ANTHEM: "De caelo veniet" (Jakob (Handl) Gallus [1550 - 1591])

ORISON: "Of the Father’s love begotten" (Divinum mysterium, Sanctus trope, 11^th century)

PSALM: 34 (plainsong, Tone V Ending 2)

HYMN: "I know a rose tree springing" (3 settings: Old German, Michael Prætorius [ca. 1571 - 1621], Hugo Distler [1908 - 1942])

NUNC DIMITTIS: (plainsong setting, Tone III Ending 4)

ANTHEMS: I) "Lullay, my liking" (Peter Hallock [b. 1924]);
II) "O magnum mysterium" (Gerald Near [b. 1942])

PROCESSIONAL: "Glory to God in the highest" (Peter Hallock [b. 1924])

PSALM: 96 (plainsong, Tone V Ending 1)

HYMN: "In the bleak midwinter" (Gustav Holst [1874 - 1934])

NUNC DIMITTIS: (plainsong setting, Tone V Ending 1)

ANTHEMS: I) "Beata progenies" (Leonel Power [?1370/85 - 1445]);
II) "In natali Domini" (Anonymous work from the Codex Specialnik, Prague, ca. 1500)