ORISON: "Come, thou long expected Jesus" (tune: Stuttgart [1715]; adapted and harmonized by William Henry Havergal [1793 - 1870])

PSALM: 85 (plainsong)

HYMN: "Hark! a thrilling voice is sounding" (tune: Merton, William Henry Monk [1823 - 1889])

NUNC DIMITTIS: (setting by Thomas Morley)

ANTHEM: "Audivi media nocte" (Matins respond with polyphony by Thomas Tallis, [ca. 1505 - 1585])

ORISON: "Redeemer of the nations, come" (Veni Redemptor gentium, plainsong, Winsiedeln MS., 12^th century)

PSALM: 89 (Peter Hallock)

HYMN: "Rejoice! rejoice believers" (tune: Llangloffan, Welsh hymnal, 1865)

NUNC DIMITTIS: (setting by William Byrd)

ANTHEM: "Ave Maria" (Franz Biebl, 1964 [1906 - 2001])

ORISON: "Of the Father's love begotten" (Divinum mysterium, Sanctus trope, 11^th century)

PSALM: 111 (Peter Hallock)

HYMN: "I know a rose tree springing" (3 settings: Old German, Michael Prætorius [ca. 1571 - 1621], Hugo Distler [1908 - 1942])

NUNC DIMITTIS: (Anonymous setting, adapted by Bernarr Rainbow)

ANTHEMS: 1) "Magnificat" (Charles Wood [1866 - 1926]));
                  2) "Lullay, my liking" (Peter Hallock, 1984 [b. 1924])

ORISON: "In the bleak mid-winter" (Gustav Holst [1874 - 1934])

PSALM: 147 (Peter Hallock)

HYMN: "O Saviour of our fallen race" (Christe, Redemptor omnium, plainsong, Mode I)

NUNC DIMITTIS: (setting by an anonymous 16th century composer, Tone VI)

ANTHEM: The Coventry Carol (Pageant of the Shearmen and Tailors, 15^th century; arr. Martin Shaw)